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On Monday, February 22nd, Evanescence started recording their upcoming third album in New York with famed producer Steve Lillywhite. Singer Amy Lee tells Rolling Stone the new disc is going to be a mix of “sarcastic aggression” that will show a new side of the band — a distinct electro influence. “A lot of bands I’ve always been inspired by are just coming into play a little more,” says Lee, citing the future-shock sounds of Depeche Mode, Massive Attack, Portishead, CSS, La Roux and MGMT. “There’s a lot of stuff that doesn’t sound like Evanescence, but the heart of the band of still there. This is a really, really, rhythmically driven record. So there’s tons of drum-programming fused with live drums; drums we’re renting a day at a time, like Japanese taiko drums.”
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Lee is co-writing the album with old friend and new collaborator Will Hunt, a producer, programmer and drummer from Fort Worth, Texas. The pair decided to start writing together after arranging “Sally’s Song,” Amy Lee’s addition to 2008’s Nightmare Revisited album and spent all of 2009 writing together in New York and Texas, crafting a handful of already-recorded electronic programming that will end up on the forthcoming record. “The sounds and influence he brings to the table — programming outer-space awesome sounds you can’t even recognize. I went through a phase where I didn’t know if it was solo time, or go write score music, or what,” says Lee. “And then once we wrote together, I realized this is totally Evanescence.”
The album is also the band’s first with veteran producer Steve Lillywhite, who’s produced for the Rolling Stones, Dave Matthews Band and, most notably, wor...
Article Source: Rolling Stone : Rock and Roll Daily