Who: Owl City, the solo electro-pop project of Minnesotan daydreamer Adam Young began three years ago, when he began recording warm, shimmering tunes in his parents’ basement in off-hours from his job at a soda warehouse. His songs quickly became a MySpace phenomenon and his devoted online following helped Owl City score a deal with Universal Republic Records, who released Young’s major label debut, Ocean Eyes.
Sounds Like: Owl City’s sound is often compared to the Postal Service thanks to his combination of hushed, lovelorn vocals and chirping synthesizers (and Young’s uncanny vocal similarity to Ben Gibbard). But for Young, Owl City owes its sound to a combination of extremes, describing his music as a mix of the pure pop of Taylor Swift and the lush ambient techno of the German electronic label Kompakt. According to Young, “There’s something about that kind of electronic music or that kind of pop that allows me to mix melody and melancholy.”
Vital Stats:
• As with lots of escapist art, Owl City’s music was dreamed up in the most mundane of settings. “About two years ago I was working at a Coca-Cola warehouse all day,” Young says, adding that he worked with nice people, but the tedium of loading trucks led his mind to wander. “It allowed me to sort of dream up these projects. One wound up being Owl City. I thought through how I wanted it to sound, how I wanted the records to look, everything. Sometimes working in a monotonous environment can really free up your imagination.”
• While Ocean Eyes is rife with aquatic imagery and a sense of adventure, it was recorded in the total seclusion of a windowless basement. For Young, the two are related. “A lot of it has to do with me being by myself while creating it; no producers, no engineers. And t...
Article Source: Rolling Stone : Rock and Roll Daily